CLOCKWORK PHOENIX 4
The anthology Kickstarter built
is available for everyone to buy.
NEW! From the pages of Clockwork Phoenix 4, read “The Bees Her Heart, the Hive Her Belly” by Benjanun Sriduangkaew, nominated for the 2014 John W. Campbell Award for Best New Writer!
Read Kenneth Schneyer’s Nebula Award-nominated story from Clockwork Phoenix 4, “Selected Program Notes from the Retrospective Exhibition
of Theresa Rosenberg Latimer”
Read Shira Lipkin’s short story from Clockwork Phoenix 4,
“Happy Hour at the Tooth and Claw”
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 Order the anthology now!
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 Kindle Price $5.99 Canada $8.13 UK £4.77 EUR 5,33 Also available at: Nook | iTunes | Kobo | Scribd | Google Play | Smashwords And in PDF, EPUB and MOBI formats at Weightless Books. Trade Paperback $15.95 (Discounted at some stores) Don’t see it on the shelves at your local store? Ask for it. |
This book is in several distinct ways a look into the future: the future of fantasy and science fiction, diverse, strange, and wonderful; the future of these individual writers, many of whom are at or near the beginning of careers which promise to be interesting; and, additionally, the future of publishing, in which a crowd-sourced publication from a very small press can produce, and can present professionally and beautifully, work which is at the height of what is being written in genre. This particular phoenix has risen from its ashes triumphant. — Strange Horizons
Clockwork Phoenix 4, much like its predecessors, is a high quality, well-organized, engaging anthology. — Tor.com
A first rate series of anthologies … The book is stylistically of a piece with its predecessors — a set of well-written stories occupying multiple subgenres, usually in the same story, often ambiguously. — Locus
The tone ranges from dark to heartwarming and simple. The overall quality is high … Several of the pieces are quite challenging. Readers will do well to pick up a copy. — Locus Online
What makes this fourth edition so special is that it belongs to an impassioned community of writers and readers who went above and beyond to make it happen. … All eighteen [stories] have the power to pull the reader out of his own reality and transport or transform them entirely. — Cabinet des Fées
This 4th volume of Clockwork Phoenix contains an excellent diversity of speculative fiction ranging from cold and hopeless to harsh but victorious and warm and fulfilling. It was a pleasure to read. — Tangent Online
What kind of stories will you find in Clockwork Phoenix 4? Only those that are magical, imaginative, heart-wrenching, just plain bizarre, forward-looking, backward-looking, biological, romantic, hopeful, darkly funny and openly frightening. All the words that describe the best speculative fiction you’ve ever read apply. In fact, if this isn’t the epitome of speculative fiction, I don’t know what is. — Little Red Reviewer
Clockwork Phoenix 4 is a collection of 18 stories edited by Mike Allen. Who, I will tell you now, is a master editor. And the authors, all masters as well. This collection is really fantastic. I took my time reading it and was rewarded each time a new story began. You can call it speculative, fantasy, science fiction, but what it is, is good reading. — Just Book Reading
The stories are diverse. Yves Meynard’s “Our Lady of the Thylacines” is a tale of a young woman embracing her adrenalin-filled destiny. Alisa Alering’s “The Wanderer King” depicts a society collapsed into mutual extermination, and Barbara Krasnoff’s “The History of Soul 2065” manages to find a happy face for encroaching mortality. Of particular note is Gemma Files’s “Trap-Weed”; in its way the mirror image of the Meynard, it follows a Selkie determined to reject both the ways of its people and those of the humans it encounters. — Publishers Weekly
This volume contains eighteen original stories which can only be classified as speculative; most of them blur or even reject genre lines altogether. The common thread which runs through these stories is a sense of unsettling strangeness. There were several moments when reading that I felt physically altered, only to realize that it was the story and not my body which was causing the queasy feeling in my gut. … That is not to say that these stories are not enjoyable; they are, in a discombobulating, shiver-inducing kind of way. And there were several of the tales which left me thinking on them long after I had finished reading. — Short Story Review
You read Clockwork Phoenix books the way you would eat a meal prepared by a master chef: trusting that every ingredient is placed precisely and with a purpose, even if one bite is bitter, it is to allow you to savor the sweetness of the next. In that way, the book absolutely succeeds and is a triumph. — Goodreads review
Table of Contents
“Our Lady of the Thylacines” by Yves Meynard
“The Canal Barge Magician’s Number Nine Daughter” by Ian McHugh
“On the Leitmotif of the Trickster Constellation in Northern Hemispheric Star Charts, Post-Apocalypse” by Nicole Kornher-Stace
“Beach Bum and the Drowned Girl” by Richard Parks
“Trap-Weed” by Gemma Files
“Icicle” by Yukimi Ogawa
“Lesser Creek: A Love Story, A Ghost Story” by A.C. Wise
“What Still Abides” by Marie Brennan
“The Wanderer King” by Alisa Alering
“A Little of the Night” by Tanith Lee
“I Come from the Dark Universe” by Cat Rambo
“Happy Hour at the Tooth and Claw” by Shira Lipkin
“Lilo Is” by Corinne Duyvis
“Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer” by Kenneth Schneyer
“Three Times” by Camille Alexa
“The Bees Her Heart, the Hive Her Belly” by Benjanun Sriduangkaew
“The Old Woman With No Teeth” by Patricia Russo
“The History of Soul 2065″ by Barbara Krasnoff
